About Suzanne Lummis
Suzanne Lummis receives WriteGirl’s Bold Ink Award in its first year.
WriteGirl is a creative writing and mentoring program for teen girls.
Suzanne Lummis has at various times, on different occasions, been associated with the following schools and poetic sensibilities:
The Fresno School. This is the designation for those graduates of a golden era, late 60s and 70s, at CSU Fresno, which gave rise to several of the nation’s most distinctive poets, all of whom studied with Philip Levine. The “Fresno” poets are often characterized by a direct personal voice, a language both lyrical and colloquial, and an image-based fidelity to the tangible world, whether rural or urban. Lummis received her M.A. in English with Creative Writing focus in 1978, before CSU Fresno established its MFA program. She is included in the definitive anthology edited by Christopher Buckley, Jackson Wheeler and David Oliviera, How Much Earth: The Fresno Poets.
Stand-Up Poetry. It aspires to combine the dynamism and bracing irreverence of performance poetry with the skill and attention to detail found in literary poetry. Charles Webb coined the term in the 80s then he and Lummis worked together refining the definition and assembling poems for the initial small press anthology that introduced this sensibility, which they associated with a group of Los Angeles poets. Lummis is cited as a seminal avatar of the style in the one-thousand word entry on Stand-Up Poetry in The Greenwood Encyclopedia of American Poets and Poetry, and in the March/April 2004 Poets & Writers Magazine article on the subject.
The Poem Noir. Lummis’ essay in New Mexico’s Malpais Review, “The Poem Noir — Too Dark to Be Depressed” — describes the defining characteristics of this poetry, whose dark themes, atmosphere, and voice of cool detachment are inspired by the low budget black-and-white crime movies of the 40s and 50s. For the UCLA Extension Writers’ Program she teaches a course she designed, “Poetry Goes to the Movies: The Poem Noir”. She has been an advisor for Philadelphia’s NoirCon. In the fall of 2011, she instigated and produced, through her organization The Los Angeles Poetry Festival, and with valuable support from Beyond Baroque, a citywide, 25-event series, “Night and the City: L.A. Noir in Poetry, Fiction and Film” Her poems are included in the Knopf “Everyman’s Pocket Poets” anthology, Killer Verse: Poems of Murder and Mayhem, edited by Kurt Brown, and in other anthologies of detective fiction and poems noir.
Los Angeles Poetry. Discussions of her poetry and influence on the Los Angeles literary world appear in Bill Mohr’s meticulous history, Holdouts, in the booklength exploration by Lawrence Goldstein—longtime editor of The Michigan Quarterly Review—Poetry Los Angeles: Reading the Essential Poems of the City, and in Jack Foley’s Visions and Affiliations, A California Literary Timeline: Poets and Poetry 1940-2005. She was principal editor of the anthology, Grand Passion: The Poets of Los Angeles and Beyond, which The Los Angeles Times named one of The 100 Best Books of the Year in 1997. In 2015, She is co-editor of The Pacific Coast Poetry Series/Beyond Baroque Books, and the anthology she edited, Wide Awake: Poets of Los Angeles and Beyond, was named one of the Ten Best Books of 2015 by the Los Angeles Times.